Film
Pitch decks, lookbooks and the work of making a film legible.
250 articles · One way into the work.
250 articles · Page 8 of 11
Pitch a Feature Built Around One Long Encounter
Pitch a Film Told Through Computer Screens Without Writing an Interface Manual
Pitch an Interactive Film Without Making the Reader Follow Every Branch
When the Film Changes Protagonists, How Should the Pitch Follow?
Pitch a Sequel to Someone Who Has Not Seen the First Film
Write Film-Pitch Prose That Sounds Like the Film, Not a Brochure
Pitch a Film Retrospective Through a Curatorial Argument, Not a Filmography
Pitch a Literary Adaptation When the Source’s Voice Is the Main Attraction
When One Film Pitch Needs Different Versions for Different Readers
Write a Shared Director’s Statement Without Pretending Two Makers Think Alike
Two Script Versions Support Different Film Pitches. Which One Are You Writing?
The Adaptation Omits the Source’s Famous Scene. What Should the Pitch Promise?
Pitch a Multi-Screen Film Without Pretending One Video Shows the Work
One Film, Two Exhibition Forms: Separate Versions or a Flexible Work?
Your Film Pitch Has a Hook but No Middle. Is the Problem the Deck or the Story?
Pitch an Immersive Film When You Cannot Choose Exactly Where the Viewer Looks
The Project Works as a Short or a Feature. Which Film Are You Pitching?
The Documentary’s Question Is Answered Before Filming Ends. What Is the Film Now?
Rewrite a Documentary Pitch When Essential Access Falls Through
Show Agency in a Film Pitch When a Character Has Almost No Good Choices
The Plot Reaches Its Ending, but the Character’s Turn Has Not Been Earned
Should the Documentary State Its Finding Before Showing the Investigation?
Build a Branching Film Pitch Prototype That Remembers Earlier Choices
A Character Page for a Producer Is Not a Casting Brief