The reading room.
Practical reading on film, television, advertising and business pitches.
1,000 articles · Four ways into the work.
1,000 articles · Page 27 of 42
Pitch an Observational Series When Important Events Happen Off Camera
Follow One Object Through a Factual Episode Without Pretending You Can Film Its Whole Journey
Observation, Investigation, or Intervention: What Is Your Factual Show Doing?
Use Factual Research to Change the Series Question, Not Fill the Deck
Stitch Location Photos Into a Panorama for a Factual-Series Pitch
Pitch a Compilation Series From the Archive You Actually Have
Pitch a Talent Showcase Without Turning It Into a Competition
What Can the Audience Actually Change in Your TV Format?
Buy Finished Episodes or Adapt the Format? Make the TV Offer Clear
Turn an Unscripted Premise Into a Format That Can Run Again
Present a TV Format’s Track Record Without Calling Every Option a Produced Series
Make a Flat Review Clip From 360-Degree Location Footage
Pitch a Factual Series Built From Self-Recorded Video Diaries
Adapt a TV Format Locally Without Just Changing the Place Names
Estimate a Pilot’s Running Time from Scenes, Not Page Count
Pitch a TV Format That Puts Professionals and Amateurs in Different Roles
Write a TV Running Order That Connects Content to the Broadcast Clock
Make a Contributor Recording Guide for a Video-Diary Test
Set Up a Versioned Review of a TV Pitch Sample
Dub or Subtitle? Explain the Localization Plan for a Finished TV Series
Add a Working Index to a Long Series Bible
Run a TV-Format Handoff Around a Difficult Episode, Not a Page-by-Page Read
Make a Rough Pencil Test from Key Poses for an Animated-Series Pitch
Pitch a TV Aftershow That Offers More Than a Recap