The reading room.
Practical reading on film, television, advertising and business pitches.
1,000 articles · Four ways into the work.
1,000 articles · Page 18 of 42
Pitch a Film Restoration as a Specific Version of a Work
Build a Public Film Project Page Without Uploading the Private Deck
Pitch One Actor Playing Several Roles Without Confusing the Characters
Translate Documentary Testimony for a Pitch Without Changing What Was Claimed
Pitch a Film Without a Human Protagonist Without Inventing Human Motives
Pitch an Anthology Feature Without Treating It as a Film Slate
Director’s Statement, Synopsis, and Bio: What Does Each Need to Say?
Introduce a Film Character Without Making Identity Do All the Writing
How Much Cultural Context Does an Unfamiliar Film-Pitch Reader Need?
Explain Your Film’s Genre Through the Experience It Promises
Pitch a Satire Without Making Its Target Guesswork
Pitch Horror Through Anticipation, Not a Catalog of Scares
Pitch a Farce Through Who Must Not Meet—and What Happens When They Do
Pitch a Film’s Dreams Without Turning Every Image Into a Clue
Build an Editable Film Pitch Deck in Keynote
Show What an Intermission Does in the Film You’re Pitching
Brief a Film’s Audio Description as Part of Its Creative Plan
Which Tool Should You Use to Make a Film Pitch Deck?
Make a Simple 3D Location Blockout for a Film Pitch
Why Does This Film Need Animation?
Concert Film or Tour Documentary? Decide What the Performance Is Doing in the Pitch
Pitch a Finished Screenplay Before a Director Is Attached
Make an Ambiguous Film Clear Without Explaining Away Its Mystery
Make a Scanned Screenplay Searchable Without Losing Page References