The reading room.
Practical reading on film, television, advertising and business pitches.
1,000 articles · Four ways into the work.
1,000 articles · Page 23 of 42
Pitch a Feature Built Around One Long Encounter
Pitch a Film Told Through Computer Screens Without Writing an Interface Manual
Pitch an Interactive Film Without Making the Reader Follow Every Branch
When the Film Changes Protagonists, How Should the Pitch Follow?
Pitch a Sequel to Someone Who Has Not Seen the First Film
Write Film-Pitch Prose That Sounds Like the Film, Not a Brochure
Pitch a Film Retrospective Through a Curatorial Argument, Not a Filmography
Prepare for a TV General Meeting Without Treating It as a Commissioning Pitch
How to Write a TV Show One-Pager
TV Pitch Deck vs. Series Bible: What Does a Scripted Show Need?
Make a TV Pitch Navigable When the Reader Skips Ahead
Pitch a Series the Viewer Is Meant to Do Along With
Pitch a Series Whose Episodes Deliberately Have Different Lengths
Pitch a Series to a Potential Writing Partner
Scripted Series, Observation, or Designed Format: What Are You Pitching?
Ask a TV Producer for Development, Not a Promise to Sell the Show
Build a Sales Sheet for a Completed TV Series
Creator, Writer, Showrunner: Describe Your Role in a TV Pitch
How to Write a TV Show Logline
Pitch a Multi-Camera Comedy as a Performance Form, Not a Camera Count
In a Mockumentary Pitch, Who Knows the Camera Is There?
Pitch a Real-Time TV Episode Without Cheating Its Clock
Pitch a Web Series for Television Without Erasing What Works Online
Trailer, Sizzle, or Proof of Concept: Choose the Moving Material for a TV Pitch