The reading room.
Practical reading on film, television, advertising and business pitches.
1,000 articles · Four ways into the work.
1,000 articles · Page 39 of 42
Sound Starts in Sync but Drifts Away. Correct the Recording Clock—or Rebuild the Alignment?
Two Versions of a Historical Text Disagree. Which One Can the Documentary Pitch Quote?
Make an SDR Pitch Copy of HDR Footage: Map on Input or Output?
Verify a Reference Video’s Location—or Leave It Unresolved
The Sample Sells One Actor, but the Feature Will Cast Someone Else
Join Documentary Research Tables Without Multiplying the People in Them
Make an Exact Video Excerpt: Copy the Stream or Re-encode the Cut?
Pitch a Film With Two Endings Still in Development
The Deck Has Become More Conventional Than the Film
The Film Needs to Feel Slow. How Can the Pitch Show Movement Without Promising Speed?
A Pitch Note Changes the Author’s Meaning. Who Needs to Decide?
Pitch a Documentary Partnership When Participants Will Help Make the Film
When More Film-Deck Revisions Stop Helping
Pitch a Series That Could Be Watched Weekly or All at Once
A Requested Episode Length Changes the Show. Cut It—or Rethink the Form?
One TV Bible File or an InDesign Book? Coordinate Chapters Without Breaking Their Layouts
Pitch a Season That Might Need to End Early
The Deck, Pilot, and Bible Describe Different Shows. Reconcile the Package
The Audience Knows the Source’s Ending. What Should the TV Adaptation Withhold?
Pitch a Factual Series When a Key Contributor Can Appear in Only Some Episodes
Does Your Returning Series Still Work After Season One Ends?
A Main Character Leaves the Series. Replace the Role—or Change the Show?
Pitch a Show With Both Episode Stories and a Continuing Plot
When the Audience Solves Your Mystery Before the Characters Do