The reading room.
Practical reading on film, television, advertising and business pitches.
1,000 articles · Four ways into the work.
1,000 articles · Page 40 of 42
Chronological or Interwoven? Choose a Factual Series’ Episode Structure
The Real-World Calendar Will Not Supply Episodes at a Regular Pace
Should Scripted and Documentary Material Share Each Episode—or Alternate?
Bring Back a Finished Series Without Undoing Its Ending
A Buyer Wants a Returning Version of a Finite Series. Define the Redevelopment Before Re-pitching.
Your Best-Written TV Script Is Not Your Most Representative. Which Should You Send?
Maintain Two Approved Format-Bible Editions: Conditional Text or Separate Files?
Pitch a Crossover Without Requiring Every Viewer to Know Both Series
What Holds an Anthology Series Together When the Cast and Story Keep Changing?
What Did Your Unscripted Format Test Actually Prove?
The Next Episode Undoes the Cliffhanger. What Did the Pitch Actually Promise?
Can You Compare Streaming Views With TV Ratings in a Pitch?
Judges Use Different Score Ranges: What Would Changing the Scoring System Change?
A Competition Uses Secret Choices. Reveal Them Together—or One at a Time?
Put Backstory in the TV Pitch Only Where It Changes the Present
Pitch an Ensemble Without Pretending Every Character Has Equal Weight
When a Season Twist Breaks the Rules Your TV Pitch Has Established
When a Comedy Starts Keeping the Consequences of Its Jokes
Check a Chance-Based TV Game by Enumeration Before Trusting a Simulation
Casting Changes the Character You Pitched. What Else Must Change?
Keep a Format Demo’s Operator Controls Separate From the Audience Display
Let a Comedy Character Change Without Erasing the Show’s Comic Engine
The Competition Must Fill a Fixed Season, but the Cast Size Is Uncertain
Let the Audience Understand a TV Protagonist Without Excusing Their Harm