The reading room.
Practical reading on film, television, advertising and business pitches.
1,000 articles · Four ways into the work.
1,000 articles · Page 41 of 42
Pitch an Improvised Series Without Promising the Same Accident Every Episode
A Limited Series Has Enough Story—but Too Many Episodes
Where Should Season One of a Book Adaptation End?
Two Episode Lists Disagree. Reconcile the Editions Before Counting the Series
When Your Competition Rules Reward the Wrong Kind of Play
Design a Competition Pitch for Contestants With Unequal Skill Levels
The Most Dramatic Competition Cut Conceals How the Result Was Decided
Pitch an Investigative Series That Might Disprove Its Central Allegation
Pitch a Documentary Series When Different Witnesses Cannot Be Reconciled
An Access Partner Wants to Be the Hero of the Series. What Are You Pitching?
The Subject’s Life Changes After the Pilot. Continue With Them or Recast the Series?
Retarget a Supplied Animation to Your Pitch Character Without Losing Contact
Update a Translated Series Bible: Reuse Aligned Segments—or Re-translate the Changed Passage?
Show Enough of a TV Format to Judge It Without Handing Over the Whole Manual
A Successful TV Format Has a Budget From Somewhere Else. What Actually Transfers?
When a Local Adaptation Cannot Use the Format’s Central Mechanism
Adapt the Licensed Format or Develop a Different Show? Make the Creative Comparison Explicit
Build a Format-Demo Countdown That Handles Pauses and Late Updates
Sell a TV Format With—or Without—Ongoing Creative Support
A Local Format Adaptation Improves a Rule. Change the Core Bible—or Keep a Local Version?
Explain What Your TV Format Does Differently—not Just What It Looks Like
When Participants React to Earlier Episodes, Has That Become the Next Season’s Story?
The Debate Format Gives Equal Time to Unequal Evidence. What Should Change?
Merge Parallel Series-Bible Edits Without Losing Either Writer’s Changes